Twenty five opera glasses positioned at various locations around the Royal Festival Hall, London, each one aligned to catch fleeting glances of inadvertent choreography.
Following on from the 1999 exhibition Choreography, Choreographic Viewpoints sought to challenge preconceptions of what constitutes choreography. It was part of a continuing investigation into found movement made by untrained dancers outside of the theatre.
Royal Festival Hall, London
A South Bank Centre Commission
Funded by Arts Council England
Supported by Artsadmin