A lecture-performance made for the 200 year old lecture room of the Royal Institution, Piccadilly, London, originally home to the scientist Michael Faraday. The piece drew on a range of scientific theories and stories collected from UK newspapers between 1995 and 1998.
Review from Total Theatre
Captivatingly performed by Sarah Dawson and Martin Gent, Big Satellite Days is a marvelous collection of whimsical tales, hard facts, fine art and multi-media performance, delivered in the lecture theatre of the Royal Institution. The location, which has been a meeting point for Britain’s greatest scientific thinkers for the last two hundred years, provides an ironic back-drop for a performance which attempts to explore complex and perplexing scientific concepts with the application of video and slide projections, ambient soundscapes, a space suit and a washing machine.
Nic Sandiland’s visual images are simple yet stunning. Projected animated and video footage is effectively combined with a score by the Orchid Room and live performance in which Dawson and Gent recite newspaper clippings which range from the bizarre to the scientifically challenging. Dawson’s subdued delivery, along with the nature of the anecdotal content, is reminiscent of Laurie Anderson circa Big Science. Like Anderson, Sandiland has the knack of weaving beguiling tales out of the most mundane material and of combining multimedia wizardry and performance in an impressively organic manner.
Big Satellite Days is much more than an intellectual hybrid of art and science. It succeeds in being simultaneously melancholic and optimistic, whilst also being genuinely moving in places. The visual images are of a quality that would stand on their own and Dawson’s delivery is so beautiful that her reading of the periodic table alone, could have enraptured the audience for hours. If only more works that try to combine art, science, performance and technology could do it with the wit, delicacy and charm of Big Satellite Days.
Jane Martin 10/3/1998
1998: The Royal Institution, London
1998: Nottingham Trent University lecture theatre (Now 98 festival).
Performers: Sarah Dawson (Stan’s Cafe, Reckless Sleepers), Martin Gent (Da Da Dumb)
Electronic sound score by: Jonathan Lever, Mark Horrocks.
Direction and visuals: Nic Sandiland
Research and Production funded through the London Arts Board.